View Unit : Mixing for Surround Sound

Prepare for the surround sound mixing session by:

a. organisation of a mixing plan to decide aims and outcomes;

b. correct software/hardware configuration and file management structure/path;

c. creation of a track sheet/plan;

d. correct labelling of digital audio workstation tracks.

Create two alternative surround sound mixes from multitrack recordings which meet the following requirements:

a. the mixes must last a minimum of two minutes each;

b. one piece should be for media (e.g. film extract, advert etc.) with dialogue, music and effects placed within the surround field and synchronised with the media;

c. one piece should be for a band ensemble where instruments and vocals are placed within the surround field to create a specific effect (e.g. to replicate the physical positions of musicians on a stage);

d. use of corrective and creative EQ;

e. use of dynamic effects as appropriate;

f. use of a variety of effects (hardware or software) to include a send and return signal path;

g. use of sub-groups where appropriate;

h. use of dynamic effects on the master output for demo purposes.

Evaluate the surround mixes in relation to the specified critiera and assess strengths and areas for development.